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Multiple Inheritance and Film Identity: A Reply to Dilworth
film ontology of film types tokens
2008/11/6
I argue that Dilworth has not shown the type / token theory of film identity to be non-viable, since there is no reason to think that a single object cannot be a token of two types. Even if we assume...
Natural and Empty Desires: An Epicurean View of Musical Experience
Epicureanism natural desires empty desires
2008/11/6
Epicureans distinguish natural desires, which have their origin in the body itself, from empty desires which are imposed by society. Natural desires allow a person to enjoy pleasures free from anxiet...
Not Just Mere Things
art aesthetics definition of art
2008/11/6
This paper examines Arthur Danto's contention, put forward in The Transfiguration of the Commonplace, that at a certain point in its history art becomes philosophy. The similarities and differences b...
Ontology, Criticism, and the Riddle of Art Versus Non-Art in The Transfiguration of the Commonplace
art criticism artifact definition of art
2008/11/6
In this "Reply to my Critics," I explain that The Transfiguration of the Commonplace was essentially a contribution to the ontology of art in which two necessary conditions emerge as essential to a re...
Paradoxes and Puzzles: Appreciating Gardens and Urban Nature
appreciation nature degrees of naturalness urban nature
2008/11/6
To explore our appreciation of gardens and urban nature, I propose a recursive definition of original or wild nature together with guidelines for discerning degrees of naturalness. Arguing (contra Ro...
This article is both philosophical and practical in its intent. It endeavours to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking a...
Questioning“The Work of Art in the Age of Mechanical Reproduction”: A Stroll around the Louvre after Reading Benjamin
aura Benjamin communism consumerism cultural politics
2008/11/6
In this article I claim that Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction" merits renewed critical attention. Just as Dada had confronted art with anti-art, so Benjam...
My concern in this paper is what, in Art and Illusion, Gombrich calls "the riddle of style".[1] This is the problem of why people at different times and in different cultures have depicted objects in ...
Reclaiming the Body: Francis Bacons Fugitive Bodies and Confucian Aesthetics on Bodily Expression
reclaiming the body exhilarated despair loss of self
2008/11/6
Recently there has been a cry in Western academic and artistic circles for reclaiming the body and repositioning its locus and identity. Body theories and body art have become topics of attention as w...
Talk To the Animals: A Short Comment on Wolfgang Welsch's
Welsch Darwin animal aesthetics aesthetic pleasure
2008/11/6
I voice some concern about Wolgang Welsch's defense of the theory that animals can feel aesthetic pleasure. My first concern is epistemological: it is hard to see how we can find out whether they actu...
Testing Diacritical Marks
touch smell taste
2008/11/6
Modern aesthetics regarded sight and hearing as the only senses able to produce art; touch, smell and taste might offer merely pleasant configurations of stimuli, but these can never achieve the statu...
The Aesthetics of the Road, Road Art, and Road Traffic
road art road criticism road architecture traffic
2008/11/6
Three things are required for a good road: economy, safety and beauty. A key concept of this trinity is fitting: how to fit the road into the landscape. Together, the road and the landscape form a wor...
The Color of the Sublime is White
Sublime Color
2008/11/6
This paper is concerned with titles, more or less descriptive, of musical works. It does not deal with titles that are generic forms or categories, such as sonata or symphony. But while I discuss ti...
In the Sufi Way, the experience of the world and its perception is aesthetic in an ecstatic fashion. The awareness of the overpowering beauty of the world fills the heart with love and opens the mind ...
I argue in this paper that our concept of pictorial realism should include a reference to perceptual proficiency relative to a cultural context. I argue this by demonstrating the greater explanatory ...